Great actors know the key to success is consistent daily work on the craft of acting. But some areas like improvisation normally involve a scene partner, and therefore are harder to practice on your own. We’re going to share an Improv Exercise for actors you can do from anywhere all by yourself. We will also be including three additional variations for added difficulty.
Give yourself a topic, then quickly name 5 Things related to the topic.
Example - 5 Things at a birthday party.
Food, Kids, presents, drinks, bouncy house.
That’s it. Simple. Doing this a few times per day will immediately strengthen those improv muscles. But if your like most actors striving for greatness this won’t be enough. You want more weight to get bigger stronger Improv muscles!
So now lets take that simple exercise and add three variations for added difficulty.
In this variation, rather than five random things connected to the topic, let yourself visualize the first thing that comes to your mind and then base the next answer off of what you see. Here’s an example of the Logical Move using visualization.
Birthday Party: Cake, icing, candles, flame, making a wish.
In this example you can see - cake came from birthday party and from visualising the cake the other answers are right there - icing, candles, flame, making a wish.
As actors we sometimes overlook great moves that are logical and sitting right in front of our face. This occurs when we haven’t taken the time to visualize our environment which we must do to ground ourselves into the reality of the scene.
This next variation exercise builds on the first as you will begin with logical choices, then suddenly make a giant shift using an improv tactic called A to C, which I’ll explain in just a bit. Here’s an example of the Bold Move using the A to C tactic:
Birthday Party: Cake, icing, candles, flame, making a wish, Robin Williams.
In this example, Robin Williams is a Bold Move because he doesn’t fit into the logical and predictable visualization. This bold may appear random but the process to get there was our A to C tactic. Here’s how A to C works.
A is connected to the topic, B is connected to A but moves away from the topic, C connects only to B.
So here - A or MAKING A WISH connects to birthday party, B or Genie is connected to Making a Wish but unconnected to birthday party, and then finally C or Robin Williams is a logical connection to Genie.
As actors, we can tend to play it safe with the choices we make. A creative bold choice that’s connected to the scene will add a refreshing splash of spontaneity to your work.
Building on the others, the final variation explains how to use a bold move by executing another improv tactic called “If this is true, what else is true?” Here’s an Example:
Birthday Party: Cake, icing, candles, flame, making a wish, Robin Williams, Walt Disney, Albert Einstein, Abe Lincoln, Jesus Chirst
In this final example we connected Robin Williams back to a birthday party by asking an IF/THEN question. If Robin Williams, a beloved celebrity who has passed away is in attendance at this party, what other beloved historical figures might also be at the party?
Improv is such a fun artform but when we don’t know how to handle a bold move our scenes can end up in a place called crazy town and trust me, that’s a place that no audience wants to go to. This exercise will help you develop the skills needed to ground an unexpected bold move into the imagined reality of the scene.
Ok, there you go actors. An Improv Exercise you can do from home with three variations for increased difficulty. Thanks for watching. Follow us on social for more actor tips and personal development content.